Out of the Closet



A working trip to Mexico in 1997 deeply affected my art.  I was struck by the Mexican cultural views that the past coexists with the present and what appears on the surface of events veils deeper meanings.  In other words, things are not as they seem.  Also, I was captivated by the Indigenous people’s celebration of their traditions and language through their clothing.  In my work since Mexico, I have used clothing to explore a variety of historical, social, religious, biological, and popular intellectual constructs about the female body.

The dress functions as a metaphor for the female body, and the fabric is its skin.  Ideas of public and private realms are examined in the processes of altering the original fabric of the dress.  Like the epidermal layer of the body, treatment can range from burying the outer surface of the dress with many actions of layering to penetrating the surface by piercing or burning imagery into the skin exposing layers beneath.  The veils of materials used include pigments, oil, wax, dried vegetation, and lipstick.

These selected works come from the series entitled Out of the Closet.  Among the issues about the female body investigated here were the spiritual versus the corporeal, private versus public, mythological versus historical, and popular versus canonical.  The mixed materials added to the fiber in both color and viscosity, resonate ideas of vegetation, soil, milk, blood, tissue, and other organic matter inspired by microscopic imaging.  In some works, patterning and color were directly inspired by historical art works of periods illumined.  Contemporary clothing is deliberately used because like our inherited DNA which quietly controls cellular activity, certain historical intellectual constructs continue to be planted deep in our psyche owing to religious and social ethos.  It is my hope that by mining ideas from the past, we can liberate ourselves from those that chain and vigorously embrace those that celebrate the awe and beauty of womanhood.

                                                                           



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